Here we have a beautiful early 50's D-18 that is ready to spend a lifetime with someone. This and the '53 D-28 showed up at the same time, and they make quite a pair. Martin can still build a fantastic instrument, but these guitars have that "lived in" quality that you just can't fake with a newer build. "Mojo" is an overused word in the guitar world, but it's the most appropriate word I can find - these things just vibrate with energy that only decades of playing can create. As you can imagine I've had my hands on a lot of vintage stuff over the years, and this and that D-28 are the real deal. Comes with what appears to be the original case, which is in good shape.
Mahogany back/sides Sitka spruce top 14-fret dreadnought body Tortoiseshell binding Brazilian bridge and fretboard Brass "plate mate" installed under bridge plate Mahogany neck Brazilian headplate 1 11/16" nut, 2 3/16" spacing, 25 1/4" scale
Cosmetically, this guitar is in good shape for the age. It was made when my Mom was about 10 years old, so we can cut it some slack. It wasn't abused, but it was definitely handled. Do note that you can't feel that wear on the back of the neck when you're playing. But you can expect finish checking, scrapes, dings, etc. Note that the action is wonderful, and there's plenty of saddle remaining.
There's a repaired and cleated top crack that appears stable. Olen Gardner installed a brass "plate mate" under the bridge some time ago. It's had a recent neck reset and refret, both done by Chris Mirabella. He also replaced the bridge, and he used some Brazilian from a table that was built in the 50's - pretty cool. Chris leveled the frets, and he added some finish around the heel for blending after the reset.
